Embedded Files
Fabricated missing silver chain link
Highlight: Fabricating missing fittings that match historic objects
Highlight: Mannequin customization and alteration to support artwork
tray to hold necklace chain when on mount
Highlight: Removable jewelry mounts made so that the owner could easily remove and replace the jewelry on the mount. Private collection
61.197.1
61.197.5
Highlight: Ancient Ivories
Highlight: Pinning
Highlight: Two ways to mount a ring for different angles of display
Highlight: Collective jewelry wall display
Highlight: Ancient Silver
MMA 74.51.5601
MMA 74.51.4579
74.51.4554
MMA 74.51.4572
Highlight: Weapons
MMA 74.51.5672
52.123
65.163.54
60.20.29a,b
MMA 62.109.4
pre (above) and post (below) painting
Highlight: Building a Dancer. Separate mounts: mask, vest, and pants MMA 1987.74a-h
Highlight: Building a Dancer. Separate mounts: mask, vest, and pants MMA 1987.74a-h
Highlight: The difference painting makes MMA1978.412.323
Highlight: The difference painting makes MMA1978.412.323
1980.116
1980.116
x.94 (pendant) 54.3.2
x.94 (pendant) 54.3.2
In progress
In progress
49.78.1
MMA 74.51.987
MMA 74.51.995
MMA 74.51.5611
83.18.128
83.18.221
Mount and object prior to installation
details of paint and fit
Highlight: Multipart nesting mounts Three part mount to hold case and silver plate 57.51.19
Highlight: Multipart nesting mounts Three part mount to hold case and silver plate 57.51.19
1974.347.1
MMA 74.51.5119
MMA 74.51.312
74.51.4426
MMA 61.100.2
MMA 61.100.2
MMA 74.51.3001
63.109.8
Cuneiform tablets
1984.454.1a,b
Highlight: Tiny mounts 66.12
Molded base cradle
Molded base cradle
MMA 74.51.2369
2007.173
2019.477.4
Highlight: Hollow brass head form for chain-mail head covering by Lauren Kalman for Burke Prize 2019 (Museum of Arts and Design). The intent was for the form to be invisible under the chainmail after installation. Constructed from brass with thick B72 coating and Plasticoat at key points.
Cooper-Hewitt Collection
Tiffany & Co. Archive Collection
Mary Hallam Pearce
Highlight: Free-standing plexi mounts with vector cut outlines. The left and right plexi pieces were curved in house using a heat gun and tube. All necklaces are secured with steel pins. All mounts made for A View from the Jeweler's Bench at Bard Graduate Center Gallery
Anya Kivarkis
Detail
Highlight: Five brooches and two earrings mounted and secured with monofilament to an etched sheet of frosted acrylic. Acrylic is bumped out over a vinyl image of historic painting on the wall. Mounts made for A View from the Jeweler's Bench at Bard Graduate Center Gallery
IMG_8613.MOV
Highlight: Steel mount for quartz and aquamarine specimen (private collection). Because this was a private collection and not a museum object they approved the use of white round stickers to mark intended end points for the mount. This mount was intended to be an "honest" mount, meaning not painted so it remains more visible.
Highlight: Tiara mount. A View from the Jeweler's Bench, 2019, Bard Graduate Center Gallery
1930's dress pins and brooch (private collection)
Installation photo
Highlight: Two-part dress pins and brooch mount. The arc and single stem indicates that it is a single object that has two pieces. Mounts made for A View from the Jeweler's Bench at Bard Graduate Center Gallery
Highlight: painted mount for ceramic vase
Highlight: Moldable epoxy and brass mount for irregular surfaces Burke Prize, 2019, Museum of Arts and Design
Highlight: mounting primarily transparent pieces
Highlight: Mounting brooches based on back pin Nonstick Nostalgia, 2019, Museum of Arts and Design
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